When she's not drawing comics, Aimee works in animation as a storyboarder and director. Her interest in travel, ecology, and journalism resulted in the historical graphic novel Days of Sand, her biggest project to date. Aimee worked as a graphic journalist in the refugee camps in Greece. Aimée’s big break as a comic artist came early when, at 22, she began the daily Snippers series for the Dutch newspaper Metro. Her following books, Blossoms in Autumn and Taxi!, were translated worldwide and won awards in the Netherlands, Belgium, Germany, and Japan. Days of Sand is an unforgettable graphic novel by Aimée de Jongh, a Rotterdam-based comics artist, animator, and illustrator, based on real-life stories from the American Dust Bowl. The Return of the Honey Buzzard, her first graphic novel, won the Prix Saint-Michel for best Dutch graphic novel and was made into a film in 2017. This marked the start of a successful international career. After graduating, she was asked to create a daily comic series for a Dutch national newspaper. She studied Animation in Rotterdam, Ghent, and Paris. Biography: Aimee de Jongh is an award-winning comics author and animator from the Netherlands.But the narrative concludes on a series of operatic scenes that are convincing in the moment, thanks to de Jongh’s power as an artist, but are also so perfunctory they feel unearned. Whereas here, what counted was family and health.” De Jongh’s drawings are lovely: she evokes a palpable sense of place with desiccated landscapes, smothering sands, and dirt-caked faces. “Could I ever go back to the wailing sirens and traffic jams of New York? A city ruled by money and violence. Aimée de Jongh works and lives in Rotterdam, The Netherlands.

Her Stephen Spender Trust 3 latest graphic novel, Jours de Sable Days of Sand was published in May 2021.

and journalism resulted in the historical graphic novel Days of Sand. (2019) has been translated into English (by Aimée de Jongh herself), Arabic (by Randa Ali) and French (by Daniel Cunin). As Clark’s admiration for these good, quietly suffering country folk grows, however, so too does the narrative’s reliance on cliché. Aimee de Jongh is an award-winning comics author and animator from the Netherlands. After initial difficulties getting subjects to agree to be photographed, Clark befriends a few locals, including a young boy who shows signs of dust-induced illness, and a pregnant widow whose story swiftly turns even more tragic. There’s an element of propaganda, as Clark has an itinerary provided he’s expected to document “orphaned children” and encouraged to stage photos. The narrative follows a young photographer named John Clark, who has been hired by a federal agency to photograph the ecological disaster in Oklahoma. Dutch cartoonist De Jongh offers an unusual take on a uniquely American disaster-the Dust Bowl of the 1930s.

Aimee de jongh days of sand